On Saturday (6th February) I saw Avatar 3D. Having been released on 19th December 2009, myself and EJW struggled to find decent seats after 2 months of it showing. I haven’t posted anything for a while, but Avatar is a good topic to write about. As I write this, I am listening to the soundtrack to the movie.
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I’d initially avoided going to see the movie – it had been too hyped up and too widely advertised for my to assume it to be any good. On top of that, there was also the 3D aspect of the film that put me off. I’d seen a few 3D films before, such as The Final Destination and My Bloody Valentine (as well as some that I watched at home). The genre of the two aforementioned movies lent themselves to 3D technology by thrusting blood and gore into the audience (although at points, this was shameful and tastelessly manufactured), engaging them using the element of surprise and horror. The 3D worked, but did not immerse the audience into a 3D viewing experience. I am pleased to say that Avatar did.
The world of Pandora was bright, colourful and captivating. The texture of the environment was cleverly designed to make use of the 3D technology – a particular point was when a group of people walked through the undergrowth, and the leaves of the trees sprung back, as though the audience happened to be walking along with the characters. The only way to describe the next items is to compare them to the whispy cotton-esque objects that tradition prescribes that we hold on to them, make a wish, and the release them. I found myself believing that they were, at times, hovering above my head. In regards to elements of the film “leaping” out into the audience, I don’t think the film was designed to do this. Whereas, as previously mentioned, some films design elements to leap out into the audience – such as spears or bullets, for example – I got the sense that this tactic was avoided to instead concentrate on the overall immersion of the audience into the 3D experience.
The story to begin with is quite slow, but soon picks up pace. I found myself being able to predict the storyline quite easily, although there are a few surprises and twists, but there was the typical good vs evil storyline with the good prevailing. I have to admit, I didn’t expect it to be quite as graphic as it turned out to be, or with such obvious use of adult language – although this did not affect the film. The characters are quite engaging, and you can easily find yourself forming bonds with the characters and sharing their experience. The creatures that were designed for the film are fascinatingly bright and colourful, fitting in tremendously with the scenery of Pandora. Geekily, I noticed that sound also played a big part in the experience of watching the film – for large objects, such as aircraft and gun fire, there was the right amount of bass to resonate around the cinema, immersing you into the action.
I really don’t want to say too much and then give the whole film away. I would recommend watching it for yourself, but only in 3D. I think the film lends itself to the 3D technology, and in this aspect, you won’t be let down. However, if you like films where the storyline alone immerses you, you may very well find yourself getting easily bored of predicting the next bit, and the next bit. Near the end, I found myself fighting with the characters on the screen, but that’s just me. It is an enjoyable film, and one that you should find yourself getting attached to throughout the duration, and I’d recommend you watching it to form your own opinion.
I’d give the film, roughly, 9/10. I will not say it is awesome, or the best film ever made. I waited a couple of days to let the initial hype/opinion fade away. It is a good film, I won’t lie, but there are better films. I would recommend watching it at the cinema though, and not wait for the DVD. 3D works fantastic at the cinema, but not so well at home – and you may well find yourself being a little bit disappointed if you did wait.
I watched it at VUE in Westwood Cross, Thanet – just for your information




(C) 20th Century Fox/Matt Groening
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